| About the book |
Critical Readings: Media and Audiences brings together some of the important developments in the history of audience and media studies and the significant research which has shaped the field until now. This collection of original research provides students and lecturers in media, film and cultural studies with a better understanding of the rationale, findings and forms of analysis undertaken at different points in the field's research-based career. Essays by John Banks, Nancy Baym, S. Elizabeth Bird, Jay G. Blumler, Philip Elliott, Marie Gillespie, Michael Gurevitch, Stuart Hall, James D. Halloran, Henry Jenkins, Elihu Katz, Gerald Kosicki, Paul Lavrakas, Paul Lazarsfeld, L.W. Lichty, Annette N. Markham, Eileen Meehan, Graham Murdock, Virginia Nightingale, Karen Ross, J.G. Webster. |
| Key features |
| About the authors |
Virginia Nightingale is Associate Professor in the School of Communication, Design and Media at the University of Western Sydney, Australia. Her research focuses on audience theory and research practice. She is the author of Studying Audiences: The Shock of the Real (1996).
Karen Ross is Reader in Mass Communications at Coventry University, UK. She has published extensively in the broad area of audience identities. Her recent books include Mapping the Margins (2003), Women, Politics, Media (2002) and Black and White Media (1996).
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| Table of contents |
Notes on contributors Foreword Acknowledgements Introduction Part 1: The study of active audiences Movie leaders Viewer's reactions utilization of mass communication by the individual Encoding/decoding >br> News we can use: An audience perspective on the tabloidisation of news in the United States The opinion polls: Still biased to Blair Part 2: Audience communities, segments and commodities Good and bad practice in focus group research All ears: Radio, reception and discourses of disability Transnational communications and Diaspora communities Children and television: A critical overview of the research Ratings analysis in advertising Heads of household and ladies of the house: Gender, genre and broadcast ratings 1929-1990 Part 3: Interactive audiences: Fans, cultural production and new media Improvising Elvis, Marilyn and Mickey Mouse Tune in tomorrow Stories of places and ways of being Gamers as co-creators: Enlisting the virtual audience - A report from the netface Interactive audiences? Index. |


